Dos décadas. Dos momentos de una institución: El Ejército Nacional de Colombia en Hombres de Honor y La Niña

Carolina Galindo

doi:10.1515/9783111167237-003

Dos décadas. Dos momentos de una institución: El Ejército Nacional de Colombia en Hombres de Honor y La Niña

Carolina Galindo

Producción científica: Capítulo en Libro/Informe › Capítulo › Investigación

Resumen

This chapter analyses the self-imagen of the National Army of Colombiain two TV-series ran during two key times of the Colombian armed conflict: Hombres de Honor (Men of Honor, 1995), and La Niña (The Girl), produced during the peace negotiations in Havana prior to the 2016–2017 Agreements. Through analytics on YouTube comments, as well as a review of some episodes, it examines the representations of the military in two moments in its history. Despite both series respond to institutional propaganda, they show transformations and persistence in the image of the military in the Colombian audiences.

Idioma original	Español
Título de la publicación alojada	Latin America’s Contested Pasts in Telenovelas and TV Series
Subtítulo de la publicación alojada	History as Fuel for Entertainment
Editorial	de Gruyter
Páginas	75-98
Número de páginas	24
ISBN (versión digital)	9783111167237
ISBN (versión impresa)	9783111166506
DOI	https://doi.org/10.1515/9783111167237-003
Estado	Publicada - ene 1 2024

ODS de las Naciones Unidas

Este resultado contribuye a los siguientes Objetivos de Desarrollo Sostenible

ODS 16: Paz, justicia e instituciones sólidas

Áreas temáticas de ASJC Scopus

Artes y Humanidades General
Ciencias Sociales General
Psicología General

Acceder al documento

10.1515/9783111167237-003

Otros archivos y enlaces

Citar esto

@inbook{bb47e903988941539f28661b121ba628,

title = "Dos d{\'e}cadas. Dos momentos de una instituci{\'o}n: El Ej{\'e}rcito Nacional de Colombia en Hombres de Honor y La Ni{\~n}a",

abstract = "This chapter analyses the self-imagen of the National Army of Colombiain two TV-series ran during two key times of the Colombian armed conflict: Hombres de Honor (Men of Honor, 1995), and La Ni{\~n}a (The Girl), produced during the peace negotiations in Havana prior to the 2016{\textendash}2017 Agreements. Through analytics on YouTube comments, as well as a review of some episodes, it examines the representations of the military in two moments in its history. Despite both series respond to institutional propaganda, they show transformations and persistence in the image of the military in the Colombian audiences.",

author = "Carolina Galindo",

note = "Publisher Copyright: {\textcopyright} 2025, the author(s), published by De Gruyter.",

year = "2024",

month = jan,

day = "1",

doi = "10.1515/9783111167237-003",

language = "Espa{\~n}ol",

isbn = "9783111166506",

pages = "75--98",

booktitle = "Latin America{\textquoteright}s Contested Pasts in Telenovelas and TV Series",

publisher = "de Gruyter",

address = "Alemania",

}

TY - CHAP

T1 - Dos décadas. Dos momentos de una institución

T2 - El Ejército Nacional de Colombia en Hombres de Honor y La Niña

AU - Galindo, Carolina

PY - 2024/1/1

Y1 - 2024/1/1

N2 - This chapter analyses the self-imagen of the National Army of Colombiain two TV-series ran during two key times of the Colombian armed conflict: Hombres de Honor (Men of Honor, 1995), and La Niña (The Girl), produced during the peace negotiations in Havana prior to the 2016–2017 Agreements. Through analytics on YouTube comments, as well as a review of some episodes, it examines the representations of the military in two moments in its history. Despite both series respond to institutional propaganda, they show transformations and persistence in the image of the military in the Colombian audiences.

AB - This chapter analyses the self-imagen of the National Army of Colombiain two TV-series ran during two key times of the Colombian armed conflict: Hombres de Honor (Men of Honor, 1995), and La Niña (The Girl), produced during the peace negotiations in Havana prior to the 2016–2017 Agreements. Through analytics on YouTube comments, as well as a review of some episodes, it examines the representations of the military in two moments in its history. Despite both series respond to institutional propaganda, they show transformations and persistence in the image of the military in the Colombian audiences.

UR - https://www.scopus.com/pages/publications/85215259736

UR - https://www.scopus.com/pages/publications/85215259736#tab=citedBy

U2 - 10.1515/9783111167237-003

DO - 10.1515/9783111167237-003

M3 - Capítulo

AN - SCOPUS:85215259736

SN - 9783111166506

SP - 75

EP - 98

BT - Latin America’s Contested Pasts in Telenovelas and TV Series

PB - de Gruyter

ER -