Abstract
Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society’s contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design. Recordings were characterized by bird species richness and by 14 complementary acoustic indices. By relating each index to seasonal, diurnal, climatic and anthropogenic factors, we show here that latitude, time of day and day of year each predict a substantial proportion of variation in key metrics of biophony—whereas anthropophony (speech and traffic) show less predictable patterns. Compared to pristine sites, the soundscape of urban green spaces is more dominated by technophony and less diverse in terms of acoustic energy across frequencies and time steps, with less instances of quiet. We conclude that the global soundscape is formed from a highly predictable rhythm in biophony, with added noise from geophony and anthropophony. At urban sites, animals experience an increasingly noisy background of sound, which poses challenges to efficient communication.
| Original language | English (US) |
|---|---|
| Journal | Nature Ecology and Evolution |
| DOIs | |
| State | Accepted/In press - 2025 |
All Science Journal Classification (ASJC) codes
- Ecology, Evolution, Behavior and Systematics
- Ecology
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In: Nature Ecology and Evolution, 2025.
Research output: Contribution to journal › Research Article › peer-review
TY - JOUR
T1 - Human contributions to global soundscapes are less predictable than the acoustic rhythms of wildlife
AU - Somervuo, Panu
AU - Roslin, Tomas
AU - Fisher, Brian L.
AU - Hardwick, Bess
AU - Kerdraon, Deirdre
AU - Raharinjanahary, Dimby
AU - Rajoelison, Eric Tsiriniaina
AU - Lauha, Patrik
AU - Griem, Lukas
AU - Lehikoinen, Petteri
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AU - Boyer, Stephane
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AU - Buckley, Hannah L.
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AU - Cagnolo, Luciano
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AU - Capobianco, Giovanni
AU - Carreón-Palau, Laura
AU - Carriere, Suzanne
AU - Case, Bradley S.
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AU - Chaparro, Juan Matías
AU - Chen, Chi Ling
AU - Chicoine, Christine
AU - Christensson, Madeleine
AU - Collado Rosique, Francisco
AU - Colom Montero, William
AU - da Fonseca, Ricardo do Sacramento
AU - Da Silva, Luís P.
AU - Dal Molin, Anamaria
AU - Dallas, Tad
AU - de Francesco, Maria Carla
AU - Del Ángel-Rodríguez, Jorge Arturo
AU - Díaz-Delgado, Ricardo
AU - Dirnböck, Thomas
AU - Djukic, Ika
AU - Dladla, Philile
AU - Domínguez Masciale, Jeremías
AU - Dorigo, Thiago
AU - Douwes, Errol
AU - Ekrem, Torbjørn
AU - Enderskog, Helena
AU - Erefur, Charlotta
AU - Fahad, Muhammad
AU - Falahati-Anbaran, Mohsen
AU - Farrell, Arielle
AU - Ferland, Gabriel
AU - Ferrari, Emanuele
AU - Figueiredo, Axa
AU - Forero, Fernando
AU - Freiberga, Inga
AU - Frosch-Radivo, Andrea
AU - Ganchozo Intriago, Luis Alberto
AU - Garzoli, Laura
AU - Giacomotti, Paola
AU - Gianuca, Andros T.
AU - Gilg, Olivier
AU - Gilg, Vladimir
AU - Gísladóttir, Fanney
AU - Glowacki, Ryan
AU - Gottsberger, Brigitte
AU - Gregoire, Jocelyn
AU - Groner, Elli
AU - Guedes, Patrícia
AU - Guile, Aimee Michelle
AU - Haase, Peter
AU - Hadi, Fazal
AU - Haidegger, Magdalena
AU - Hansen, Leivur Janus
AU - Hansen, Lars Holst
AU - Harrop, Reid
AU - Havnås, Harald
AU - Herrera Báez, David
AU - Ho, Chris C.Y.
AU - Hohenbühel, Denise
AU - Houska Tahadlova, Marketa
AU - Hänninen, Jari
AU - Höglund, Linda
AU - Í Haraldsstovu, Kolbrún
AU - Imbeau, Elise
AU - Inkinen, Jasmin
AU - Ishihara, Masae Iwamoto
AU - Jackson, Abigail C.
AU - Jansson, Gunnar
AU - Jha, Rohit
AU - Kager, Gerald
AU - Kahale, Rhea
AU - Kalttopää, Oula
AU - Karai, Elizabeth Wanjiru
AU - Karlsson, Dave
AU - Kaus-Thiel, Andrea
AU - Khan, Asghar
AU - Khan, Qaisar
AU - Kimoto, Keishi
AU - Kipngetich, Shadrack Chumo
AU - Klante, Clemens
AU - Klemedtsson, Leif
AU - Klinth, Mårten
AU - Koskinen, Janne
AU - Kotakorpi, Matti
AU - Kreiling, Agnes Katharina
AU - Krisai-Greilhuber, Irmgard
AU - Kristensen, Erik
AU - König, Sebastian
AU - Langenheder, Silke
AU - Laurila, Kalevi
AU - Le Gouar, Pascaline
AU - Lecomte, Nicolas
AU - Lecomte, Erin
AU - Leitman, Paula Moraes
AU - León-Cortés, Jorge L.
AU - Li, Daijiang
AU - Loehr, John
AU - Lopez-Vaamonde, Carlos
AU - Makari, Mehsen
AU - Mangini, Gabriela Giselle
AU - Maroschek, Michael
AU - Mata, Vanessa A.
AU - Matsuoka, Shunsuke
AU - Mazzafera, Thais
AU - McDonald, Paul G.
AU - Meinert, Laura
AU - Meléndez-González, Mayra
AU - Mendoza-Henao, Angela M.
AU - Moreau, Sebastien
AU - Moreau, Jérôme
AU - Mosbacher, Jesper
AU - Moyer, Esteban
AU - Mrazova, Anna
AU - Mteshane, Samantha
AU - Mungai, Nancy Wangari
AU - Muñoz Herraiz, Gema
AU - Murillo-Vázquez, Andrea
AU - Musazzi, Simona
AU - Mutanen, Marko
AU - Müller, Jörg
AU - Navarro Canales, Rebeca
AU - Ndlovu, Monica
AU - Nicolai, Annegret
AU - Niessner, Armin
AU - Nordén, Jenni
AU - Nowak, Paweł
AU - O’Connell, Erin
AU - Orru, Arianna
AU - Pagnon, Thomas
AU - Pantoja-Diaz, Yurani Nayive
AU - Pentinsaari, Mikko
AU - Pilloni, Sebastian
AU - Pinder, Adrian
AU - Pinheiro, Thiago A.
AU - Põlme, Sergei
AU - Powell, Luke L.
AU - Pröll, Gisela
AU - Pulido-Santacruz, Paola
AU - Queralt, Enrique
AU - Quilantang, Mark Tristan
AU - Quinlan, Kirsty
AU - Ramirez, Ricardo
AU - Rankinen, Juha
AU - Rasino, Micaela Del Valle
AU - Rebelo, Rui
AU - Remmers, Wolfram
AU - Retz, Franziska
AU - Reyes, Evelin
AU - Rivas Torres, Gonzalo
AU - Rogers, Hanna M.K.
AU - Rosário, Inês T.
AU - Rosário Da Rosàrio da Costa, Sidney
AU - Rütting, Tobias
AU - Sahlstén, Johannes
AU - Saliba, Carole
AU - Salmirinne, Teppo
AU - Sam, Katerina
AU - Santos, Douglas
AU - Santos-Reis, Margarida
AU - Sawan, Michel
AU - Schattanek-Wiesmair, Benjamin
AU - Schiestl-Aalto, Pauliina
AU - Schmidt, Niels Martin
AU - Seibold, Sebastian
AU - Seidl, Rupert
AU - Seifert, Linda
AU - Sithole, Malibongwe
AU - Sivault, Elise
AU - Smart, Jessica
AU - Smerczyński, Ireneusz
AU - Soda, Ayaka
AU - Sousa-Lima, Renata S.
AU - Stanisci, Angela
AU - Stanley, Margaret C.
AU - Steenkamp, Daleen
AU - Stengel, Elisa
AU - Stoll, Stefan
AU - Strauss, Willem Maartin
AU - Stur, Elisabeth
AU - Sujala, Maija
AU - Sundell, Janne
AU - Svavarsdóttir, Jónína
AU - Tedersoo, Leho
AU - Tepsa, Saana
AU - Tikochinsky, Maor Tiko
AU - Tuominen, Esa Pekka
AU - Tweraser, Stefanie
AU - Ulloa Espinosa, Catalina
AU - Uusitalo, Joni
AU - Vallinmäki, Mikko
AU - Vannier, Fabrice
AU - Varela, Abigail
AU - Vatka, Emma
AU - Veikkolainen, Silja
AU - Vernes, Karl
AU - Watts, Phillip C.
AU - Weslien, Per
AU - Wirth, Ciara
AU - Wisniewski, Jana Helga
AU - Young, Amanda B.
AU - Övergaard, Robyn
AU - Ovaskainen, Otso
N1 - Publisher Copyright: © The Author(s) 2025.
PY - 2025
Y1 - 2025
N2 - Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society’s contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design. Recordings were characterized by bird species richness and by 14 complementary acoustic indices. By relating each index to seasonal, diurnal, climatic and anthropogenic factors, we show here that latitude, time of day and day of year each predict a substantial proportion of variation in key metrics of biophony—whereas anthropophony (speech and traffic) show less predictable patterns. Compared to pristine sites, the soundscape of urban green spaces is more dominated by technophony and less diverse in terms of acoustic energy across frequencies and time steps, with less instances of quiet. We conclude that the global soundscape is formed from a highly predictable rhythm in biophony, with added noise from geophony and anthropophony. At urban sites, animals experience an increasingly noisy background of sound, which poses challenges to efficient communication.
AB - Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society’s contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design. Recordings were characterized by bird species richness and by 14 complementary acoustic indices. By relating each index to seasonal, diurnal, climatic and anthropogenic factors, we show here that latitude, time of day and day of year each predict a substantial proportion of variation in key metrics of biophony—whereas anthropophony (speech and traffic) show less predictable patterns. Compared to pristine sites, the soundscape of urban green spaces is more dominated by technophony and less diverse in terms of acoustic energy across frequencies and time steps, with less instances of quiet. We conclude that the global soundscape is formed from a highly predictable rhythm in biophony, with added noise from geophony and anthropophony. At urban sites, animals experience an increasingly noisy background of sound, which poses challenges to efficient communication.
UR - https://www.scopus.com/pages/publications/105010256142
UR - https://www.scopus.com/inward/citedby.url?scp=105010256142&partnerID=8YFLogxK
U2 - 10.1038/s41559-025-02786-5
DO - 10.1038/s41559-025-02786-5
M3 - Research Article
C2 - 40634696
AN - SCOPUS:105010256142
SN - 2397-334X
JO - Nature Ecology and Evolution
JF - Nature Ecology and Evolution
ER -